Ensemble La Favorita is an early music ensemble founded in 2016 by students and alumni of the Royal Conservatoire of the Hague. The name of the ensemble reflects the spirit behind a great number of compositions written for the Habsburg Court in Vienna in the 18th century which were written to celebrate and honour aristocratic women and special occasions such as births, weddings, coronations, birthdays or name-days. Music served to amplify the glory and decorum of the imperial family, as patron of the arts.

Our repertoire focuses on the lesser known soprano Chalumeau, a single-reed woodwind instrument beloved in Vienna in the first half of the 18th century and scored in dozens of cantatas as well as over forty operas and oratorios. The chalumeau could be defined as the baroque cousin of the clarinet, as the first document confirming its use dates back to 1687. Performance on chalumeau has been neglected for nearly 3 centuries, but has re-emerged in today’s historically-informed performance movement…



Ensemble Lexikon was founded in 2017 in Amsterdam by three young and versatile musicians Giulia Zannin (clarinet), Octavie Dostaler-Lalonde (cello) and Artem Belogurov (piano). This young ensemble is dedicated to discovering new repertoire as well as taking a fresh look at well known music for this setting through the lens of historically informed performance practice. Through research of style and technique and the use of historical instruments as well as modern copies, the ensemble lets their audience hear a sound world that is close to what the composer might have heard at the time the music was performed for the first time. Guided by this approach and the desire to push the boundaries of artistic creativity, the trio explores three centuries of repertoire ranging from the Classical to the Contemporary.

Our chamber music program BEETHOVEN AND HIS RIVALS follows the rivalry between  three wellestablished composers and virtuosos who animated the early-19th century Viennese scene: Joseph Wölfl from Salzburg, (considered to be Beethoven’s equal and one of the protagonists of a famous and exciting public pianistic duel with Beethoven), the Viennese Anton Eberl (Mozart’s protegé) and Ludwig van BeethovenWe perform on period instruments Wölfl’s only piece for fortepiano and cello, the Grand Duo Op. 31, alongside with the early romantic Trio Op.36 by Eberl and the famous “Gassenhauer Trio” op.11 by Beethoven, where in the final movement he uses a popular song whistled on the streets of Vienna.


Trio Auriga is based in the Netherlands and was formed in the Fall of 2016 by three friends and colleagues interested in exploring chamber music for wind instruments from the 18th and 19th centuries. The members of Trio Auriga come from the Netherlands, Italy, and the United States.
As a versatile group, Auriga performs in both trio and duo formations with various combinations of chalumeaux, clarinets and bassoons. Trio Auriga seeks to bring light to the music of lesser performed composers, such as Gheradeschi, Cherubini, Pleyel, Wölfl and Tausch, while also highlighting works by Telemann, Mozart, and Beethoven. In addition to performing works as they were originally scored, Auriga has adapted to a larger repertoire by producing their own original arrangements.

© Copyright 2018 Giulia Zannin